Ben Affleck: In the early years, people saw me a ‘callow frat guy who’s cavalier’

affleck EW

Ben Affleck’s Bennfer glow-up is no joke. Originally, back in 2002-03, the glow-up was too much, he was too bronzed, too varnished-looking, too Ken doll. But that’s the thing about a revival 18 years later – he’s older and wiser, and the glow-up is more subtle. Suddenly, he doesn’t look like the beefy and Botoxed 40-something chasing his youth. He looks like a man who is nearly 50, who is comfortable in his own skin and happy with his 50-year-old girlfriend. Let’s hope. Ben covers Entertainment Weekly to promote The Tender Bar, and the interview was conducted by Matt Damon. It is quite annoying at times, but Ben does say some very interesting stuff here and there – you can read the full piece here. Some highlights:

On George Clooney: “I think it’s hard to overestimate the degree to which a director’s attitude, openness, comfort, generosity pervades the set and sets a tone. George does that better than I do. And he was enormously respectful of the degree to which I take very seriously my need to be there with my children for my half of the custody. I mean, he bent over backwards. You didn’t have to be there until midnight every night [or] obliterate the rest of your life in order to do this. Because he’s got this spectacular wife, he’s got his children, he’s got a very rich, full life. He’s got to sell coffee— Tequila and coffee. That’s no joke…I’ll tell you what I want to be. I want to be George Clooney selling coffee and tequila. Because that really frees you up to do the movies you want to do.

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On his early work: “Starting off, you have these ideas about success. You know, my mother made $28,000 a year. So I would be like, “How could I justifiably say no to this?” Just not understanding the value of turning things down. People talk about your choices and I want to say, “Well, it’s not like I was passing on Scorsese movies.” Like, “No, Marty, I’m good. I’m going to do Surviving Christmas.” Part of our fates are controlled by the opportunities we have in terms of material and directors.

Where Gigli sits with him now: “…The truth about that movie and what it taught me was how much everything around a movie sort of dictates the way people see it. But for being a movie that’s such a famous bomb and a disaster, very few people actually saw the movie. It doesn’t work, by the way. It’s a sort of horse’s head in a cow’s body. And the studio at the time, because I had begun having this relationship with Jennifer Lopez, which was selling a lot of magazines and appeared to generate a lot of enthusiasm, they just predictably latched onto, “They want a romantic comedy. They want the two of them together. More of that!” And it was just like that SNL sketch: “Bad Idea.”

Gigli …read more

Source:: Cele|bitchy

      

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