‘Bullet Train’ Director Reveals Why the Brad Pitt-Aaron Taylor-Johnson Struggle Scene Was so Tricky to Shoot

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We haven’t noticed Brad Pitt in a starring part for very a whilst. Bullet Teach modifications that. The very last time he headlined a motion picture came in 2019’s Advertisement Astra, which strike theaters practically three decades in advance of Bullet Prepare. Pitt tackled retirement rumors when advertising the motion picture, and just one really hard-to-shoot Bullet Prepare combat scene could demonstrate that his retirement stays over and above the horizon.

Aaron Taylor-Johnson (remaining) and Brad Pitt in ‘Bullet Train’ | Sony Pics
Director David Leitch is also a stunt coordinator

David Leitch was a stunt performer and coordinator on films such as V for Vendetta, Tron: Legacy, and X-Guys Origins: Wolverine. He then transitioned to directing, and his resumé features John Wick, Fast & Furious Offers: Hobbs & Shaw, and Deadpool 2 (although he won’t return for Deadpool 3).

Leitch understands a detail or two about staging and capturing a struggle scene, and Bullet Prepare has quite a few. He ordinarily shoots and edits a tough reduce with the stunt performers to get a really feel for what it will glance like when the actors phase in. 

He adopted that method on Bullet Teach, but a minute of inspiration induced a last-next transform that created one fight scene between Pitt and Aaron Taylor-Johnson the toughest to shoot.

Why one ‘Bullet Train’ combat scene was the most difficult a single to shoot

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Associated: ​​‘Bullet Train’ Film Assessment: Brad Pitt Action Film Channels Lesser Quentin Tarantino 

Bullet Teach will take position on a substantial-speed Japanese locomotive, but Leitch shot most of the film in and all-around Los Angeles, per IMDb. The movie’s teach was housed in a soundstage at Sony, as he told Collider.

Leitch had a previous-minute concept to swap the environment for a battle scene concerning Pitt and Taylor-Johnson, but it presented a challenge even in the managed ecosystem of a soundstage. As he informed Collider:

“[O]ne of the fights with Aaron Taylor-Johnson and Brad Pitt, it improved automobiles. … I considered it was a lot more exciting to be inside of the support motor vehicle where by the concessions have been, where by the concession cart could come in, and we could do this kind of pleasurable gag with the concession girl. Dilemma is, that set was not created to fly. The walls could not transfer.

“So logistically, you acquired a digital camera operator in there, you acquired a China ball light-weight, and you got seem, and you’re making an attempt to move and struggle. And that was tricky. It was tough.”

Bullet Coach director David Leitch on shooting the Brad Pitt-Aaron Taylor-Johnson fight

The constraints of a confined house produced taking pictures and carrying out the concession automobile battle scene hard. It was so difficult to shoot, Leitch remembers the precise difficulties months later. The director praised the actors for rolling along with the drastic final-moment changes …read more

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